Synopsis

The title story of this collection is, like many of the others, set during the Franco-Prussian war. As in so many of Maupassant’s stories he explores class barriers and looks at the contrasts between the French and German combatants.

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Mademoiselle

Mademoiselle Fifi

Subtitulo opcional do livro

Guy de Maupassant - 1882 - Catalogo
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The title story of this collection is, like many of the others, set during the Franco-Prussian war. As in so many of Maupassant’s stories he explores class barriers and looks at the contrasts between the French and German combatants.

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Detalhes

Generos: Fantasia, Jovem Adulto
Paginas: 384
Publicacao: 2010
Idioma original: Ingles
ISBN: 978-0-123456-78-9
Providers: Open Library, Internet Archive

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Guy de Maupassant

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Synopsis

The stories continues from "Part I", and begins with Eriol, having spent spent many days at the 'Cottage of Lost Play', a house he arrived at while traveling. It is owned by Lindo and Vairë. There he has listened to stories by the family that had taken him in. The first story in this book that he hears is "The Tale of Tinúviel". "The Tale of Tinúviel" tells the story of Beren a human male who falls in love with Lúthien Tinúviel a female elf. He wishes to marry her but is given a seemingly impossible task to get a Silmaril jewel from the crown of a evil being. He succeeds in getting the jewel but loses his hand in the attempt, and after their marriage he dies, and she also dies from heartbreak, and they are returned to life for second chance. Eriol himself tells the next story, that of "Turambar and the Foalókë". "Turambar and the Foalókë" is the story of a warrior that is imprissioned by the evil being and set on a mountain top to watch his family suffer while he watches with the curse of special sight. The story then changes to his son, Túrin, who also fights but is betrayed by his men and cursed, after losing a battle with a dragon he changes his name. His sister and mother look for him but are captured and their memories erased by the dragon. He later meets his sister, now strangers to each other, they become married. He finally defeats the dragon, but with that her memory returns. Realizing he's her brother she jumps off a cliff, he kills himself, and the mother goes screaming into the woods. The father then is released by the evil being and he goes and kills the men that betrayed his son. Then goes looking for his wife in the woods. The story ends with the family reunited and dwelling with the spirits.

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The Book of

The Book of Lost Tales [2/2]

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Synopsis

*Mémoires d'Hadrien* est un roman historique de l'écrivaine française Marguerite Yourcenar, publié en 1951. Ces pseudo-mémoires de l'empereur romain Hadrien ont immédiatement rencontré un extraordinaire succès international et assuré à son auteur une grande célébrité. Il s’agit d’une œuvre dont le projet remonte à l’adolescence de l’autrice. Yourcenar considérant le projet comme trop ambitieux pour être une œuvre de jeunesse, le décrivait de la trempe de ceux « qu’on ne doit pas oser avant d’avoir dépassé quarante ans ». Le livre est présenté comme une longue lettre d’un vieil empereur adressée à son petit-fils adoptif et éventuel successeur âgé de 17 ans, Marc Aurèle. L’empereur Hadrien médite et se remémore ses triomphes militaires, son amour de la poésie et de la musique, sa philosophie ainsi que sa passion pour son jeune amant bithynien, Antinoüs. ------------- *Memoirs of Hadrian* (French: Mémoires d'Hadrien) is a novel by the Belgian-born French writer Marguerite Yourcenar about the life and death of Roman Emperor Hadrian. First published in France in French in 1951 as Mémoires d'Hadrien, the book was an immediate success, meeting with enormous critical acclaim. Although the historical Hadrian wrote an autobiography, it has been lost. The book takes the form of a letter to Hadrian's adoptive grandson and eventual successor "Mark" (Marcus Aurelius). The emperor meditates on military triumphs, love of poetry and music, philosophy, and his passion for his lover Antinous, all in a manner similar to Gustave Flaubert's "melancholy of the antique world." Yourcenar noted in her postscript *Carnet de note* to the original edition, quoting Flaubert, that she had chosen Hadrian as the subject of the novel in part because he had lived at a time when the Roman gods were no longer believed in, but Christianity was not yet established. This intrigued her for what she saw as parallels to her own post-war European world.

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Mémoires d'H

Mémoires d'Hadrien

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