Synopsis

Published in 1919, Heartbreak House is an examination of the failings of the European leisure classes before World War I—failings that author George Bernard Shaw blamed for the war, and that he predicted would quickly lead to another, longer war. The play is set in an English country house, where representatives of every type of English society have gathered at the home of the seemingly-mad Captain Shotover. Hidebound aristocrats and cultured bohemians, wealthy capitalists and radical idealists, prim moralists and idle libertines, are all laid bare in one of Shaw’s bleakest and yet most absurd plays.

PAG. 342
Capitulo 112
Capitulo 236
Capitulo 360
Capitulo 484
Capitulo 5108
Capa de Heartbreak House
T
Heartbreak H

Heartbreak House

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George Bernard Shaw - 1919 - Catalogo
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Published in 1919, Heartbreak House is an examination of the failings of the European leisure classes before World War I—failings that author George Bernard Shaw blamed for the war, and that he predicted would quickly lead to another, longer war. The play is set in an English country house, where representatives of every type of English society have gathered at the home of the seemingly-mad Captain Shotover. Hidebound aristocrats and cultured bohemians, wealthy capitalists and radical idealists, prim moralists and idle libertines, are all laid bare in one of Shaw’s bleakest and yet most absurd plays.

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Detalhes

Generos: Fantasia, Jovem Adulto
Paginas: 384
Publicacao: 2010
Idioma original: Ingles
ISBN: 978-0-123456-78-9
Providers: Open Library, Internet Archive

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Sobre o autor

George Bernard Shaw

Autor com 2 livros no Thoth.

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Synopsis

From the book:My dear Walkley: You once asked me why I did not write a Don Juan play. The levity with which you assumed this frightful responsibility has probably by this time enabled you to forget it; but the day of reckoning has arrived: here is your play! I say your play, because qui facit per alium facit per se. Its profits, like its labor, belong to me: its morals, its manners, its philosophy, its influence on the young, are for you to justify. You were of mature age when you made the suggestion; and you knew your man. It is hardly fifteen years since, as twin pioneers of the New Journalism of that time, we two, cradled in the same new sheets, made an epoch in the criticism of the theatre and the opera house by making it a pretext for a propaganda of our own views of life. So you cannot plead ignorance of the character of the force you set in motion. Yon meant me to epater le bourgeois; and if he protests, I hereby refer him to you as the accountable party. I warn you that if you attempt to repudiate your responsibility, I shall suspect you of finding the play too decorous for your taste. The fifteen years have made me older and graver. In you I can detect no such becoming change. Your levities and audacities are like the loves and comforts prayed for by Desdemona: they increase, even as your days do grow. No mere pioneering journal dares meddle with them now: the stately Times itself is alone sufficiently above suspicion to act as your chaperone; and even the Times must sometimes thank its stars that new plays are not produced every day, since after each such event its gravity is compromised, its platitude turned to epigram, its portentousness to wit, its propriety to elegance, and even its decorum into naughtiness by criticisms which the traditions of the paper do not allow you to sign at the end, but which you take care to sign with the most extravagant flourishes between the lines. I am not sure that this is not a portent of Revolution. In eighteenth century France the end was at hand when men bought the Encyclopedia and found Diderot there. When I buy the Times and find you there, my prophetic ear catches a rattle of twentieth century tumbrils.

PAG. 342
Capitulo 112
Capitulo 236
Capitulo 360
Capitulo 484
Capitulo 5108
Capa de Man and Superman
T
Man and Supe

Man and Superman

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