Synopsis

“*Les Fleurs du mal* est un recueil de poèmes de Charles Baudelaire, reprenant la quasi-totalité de sa production en vers de 1840 jusqu'à sa mort, survenue fin août 1867. Publié le 21 juin 1857, le recueil scandalise aussitôt la société française. Son auteur subit un procès retentissant. Le jugement le condamne à une forte amende, réduite sur intervention de l'Impératrice ; il entraîne la censure de six pièces jugées immorales. De 1861 à 1868, l'ouvrage est réédité dans trois versions successives, enrichies de nouveaux poèmes ; les pièces interdites paraissent en Belgique. La réhabilitation n'interviendra que près d'un siècle plus tard, en mai 1949. Le recueil est considéré comme une œuvre majeure de la poésie moderne. Il diffère d'un recueil classique où souvent, le seul hasard réunit des poèmes généralement disparates. Ici, les poèmes s'articulent avec méthode et selon un dessein précis.”

PAG. 342

Capitulo 112

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Les fleurs d

Les fleurs du mal

Subtitulo opcional do livro

Charles Baudelaire - 1855 - Catalogo

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*Les Fleurs du mal* est un recueil de poèmes de Charles Baudelaire, reprenant la quasi-totalité de sa production en vers de 1840 jusqu'à sa mort, survenue fin août 1867. Publié le 21 juin 1857, le recueil scandalise aussitôt la société française. Son auteur subit un procès retentissant. Le jugement le condamne à une forte amende, réduite sur intervention de l'Impératrice ; il entraîne la censure de six pièces jugées immorales. De 1861 à 1868, l'ouvrage est réédité dans trois versions successives, enrichies de nouveaux poèmes ; les pièces interdites paraissent en Belgique. La réhabilitation n'interviendra que près d'un siècle plus tard, en mai 1949. Le recueil est considéré comme une œuvre majeure de la poésie moderne. Il diffère d'un recueil classique où souvent, le seul hasard réunit des poèmes généralement disparates. Ici, les poèmes s'articulent avec méthode et selon un dessein précis.

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Detalhes

Generos: Fantasia, Jovem Adulto

Paginas: 384

Publicacao: 2010

Idioma original: Ingles

ISBN: 978-0-123456-78-9

Providers: Open Library, Internet Archive

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Charles Baudelaire

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Synopsis

“**Leaves of Grass** is a poetry collection by American poet Walt Whitman. First published in 1855, Whitman spent most of his professional life writing and rewriting *Leaves of Grass*, revising it multiple times until his death. There have been held to be either six or nine individual editions of Leaves of Grass, the count varying depending on how they are distinguished.[2] This resulted in vastly different editions over four decades—the first edition being a small book of twelve poems, and the last, a compilation of over 400. (Source: [Wikipedia](https://en.wikipedia.org/wiki/Leaves_of_Grass))”

Leaves of Grass

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Synopsis

“The works of Sr. Samuel Garth Knt. 1775.. Digitized from IA40310414-44 . Previous issue: bim_eighteenth-century_poems-on-various-subject_1793 . Next issue: bim_eighteenth-century_les-confessions-dune-co_1784 .”

The works of Sr. Samuel Garth Knt. 1775

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Synopsis

“Descricao breve indisponivel no momento.”

Romancero Gitano : (y Tres Romances Historicos)

Federico García Lorca

Romancero Gi

Romancero Gitano : (y Tres Romances Historicos)

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Synopsis

“Brought up in the homestead of the dark magician Untamo, who killed his father, kidnapped his mother, and tried three times to kill him when he was still a boy, Kullervo is alone save for the love of his twin sister, Wanona, and the magical powers of the black dog Musti, who guards him. When Kullervo is sold into slavery he swears revenge on the magician, but he will learn that even at the point of vengeance there is no escape from the cruelest of fates. The story-- only forty pages long-- is followed by essays and commentaries on Tolkien's work, and on the source material.”

The Story of Kullervo

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Synopsis

“The first publication of a previously unknown narrative poem by J.R.R. Tolkien, which tells the extraordinary story of the final days of England's legendary hero, King Arthur.”

The Fall of Arthur

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Synopsis

“At the end of the 1937 J.R.R. Tolkien reluctantly set aside his now greatly elaborated work on the myths and heroic legends of Valinor and Middle-earth and began The Lord of the Rings. This fifth volume of The History of Middle-earth, edited by Christopher Tolkien, completes the presentation of the whole compass of his writing on those themes up to that time. Later forms of the Annuals of Valinor and the Annals of Berleriand had been composed, The Silmarillion was nearing completion in a greatly amplified version, and a new map had been made; the myth of the Music of the Ainur had become a separate work; and the legend of the Downfall of Numenor had already entered in a primitive form, introducing the cardinal ideas of the World Made Round and the Straight Path into the vanished West. Closely associated with this was the abandoned time-travel story, The Lost Road, which was to link the world of Numenor and Middle-earth with the legends of many other times and peoples. A long essay, The Lhammas, had been written on the ever more complex relations of the languages and dialects of Middle-earth; and an etymological dictionary had been undertaken, in which a great number of words and names in the Elvish languages were registered and their formation explained - thus providing by far the most extensive account of their vocabularies that has appeared.”

The lost road and other writings

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Synopsis

“This is the third volume of the History of Middle-earth, which comprises here-tofore unpublished manuscripts that were written over a period of many years before Tolkien's Simlarillion was published. Volumes 1 and 2 were the Book of Lost Tales, Part One and The Book of Lost Tales, Part Two. Together, these volumes encompass an extraordinarily extensive body of material ornamenting and buttressing what must be the most fully realized world ever to spring from a single author's imagination. "I write alliterative verse with pleasure," wrote J.R.R. Tolkien in 1955, "though I have published little beyond the fragments in The Lord of the Rings, except The Homecoming of Beorhtnoth." The first of the poems in The Lays of Beleriand is the previously unpublished Lay of the Children of Hurin, his early but most sustained work in the ancient English meter, intended to narrate on a grand scale the tragedy of Turin Turambar. It was account of the killing by Turin of his friend Beleg, as well as a unique description of the great redoubt of Nargothrond. The Lay of the Children of Hurin was supplanted by the Lay of Leithian, "Release from Bondage", in which another major legend of the Elder Days received poetic form, in this case in rhyme. The chief source of the short prose tale of Beren and Luthien is The Silmarillion. This, too, was not completed, but the whole Quest of the Silmaril is told, and the poem breaks off only after the encounter with Morgoth in his subterranean fortress. Many years later, when The Lord of the rings was finished, J.R.R. Tolkien returned to the Lay of Leithian and started on a new version, which is also given in this book. Accompanying the poems are commentaries on the evolution of the history of the Elder Days, which was much developed during the years of the composition of the two Lays. Also included is the notable criticism in detail of the Lay of Lethian by C.S. Lewis, Tolkien's friend and colleague, who read the poem in 1929. By assuming that this poem is actually a fragment from a past lost in history, Lewis underlined the remarkable power of its author's imaginative talents and academic competence.”

The Lays of Beleriand

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Synopsis

“Descricao breve indisponivel no momento.”

The monsters and the critics, and other essays

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Synopsis

“Bilbo’s Last Song is considered by many to be Tolkien’s epilogue to his classic work The Lord of the Rings. As Bilbo Baggins takes his final voyage to the Undying Lands, he must say goodbye to Middle-earth. Poignant and lyrical, the song is both a longing to set forth on his ultimate journey and a tender farewell to friends left behind. Pauline Baynes’s jewel-like illustrations lushly depict both this final voyage and scenes from The Hobbit, as Bilbo remembers his first journey while he prepares for his last.”

Bilbo's Last Song (At the Grey Havens)

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Synopsis

“The Adventures of Tom Bombadil and Other Verses from the Red Book is a collection of poetry written by J. R. R. Tolkien. A volume of songs, rhymes and poems, they tell of Tom's encounters with Goldberry, Old Man Willow, the Badger-folk, and with the ghostly Barrow-wight. Other poems in the book are an assortment of bestiary verse and fairy tale rhyme. Three of the poems appear in The Lord of the Rings, as well. The book is part of Tolkien's Middle-earth legendarium and the Middle-earth canon. The book, like the first edition of The Fellowship of the Ring, is presented as if it is an actual translation from the Red Book of Westmarch, and contains some background information on the world of Middle-earth which is not found elsewhere: e.g. the name of the tower at Dol Amroth and the names of the Seven Rivers of Gondor. There is also some fictional 'background' information of those poems, linking them to the Hobbit folklore and literature as well as their actual writers (some of them were written by Samwise Gamgee). The volume includes what W. H. Auden considered Tolkien's best poem, The Sea-Bell, subtitled Frodos Dreme. It is a piece of great metrical and rhythmical complexity that recounts a journey to a strange land beyond the sea.”