Synopsis

A collection of stories written in Middle English by Geoffrey Chaucer at the end of the 14th century. The tales (mostly in verse, although some are in prose) are told as part of a story-telling contest by a group of pilgrims as they travel together on a journey from Southwark to the shrine of Saint Thomas Becket at Canterbury Cathedral. In a long list of works, including Troilus and Criseyde, House of Fame, and Parliament of Fowls, The Canterbury Tales was Chaucer's magnum opus. He uses the tales and the descriptions of the characters to paint an ironic and critical portrait of English society at the time, and particularly of the Church. Structurally, the collection bears the influence of The Decameron, which Chaucer is said to have come across during his first diplomatic mission to Italy in 1372. However, Chaucer peoples his tales with 'sondry folk' rather than Boccaccio's fleeing nobles.

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The Canterbu

The Canterbury Tales

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Geoffrey Chaucer - 1478 - Catalogo
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A collection of stories written in Middle English by Geoffrey Chaucer at the end of the 14th century. The tales (mostly in verse, although some are in prose) are told as part of a story-telling contest by a group of pilgrims as they travel together on a journey from Southwark to the shrine of Saint Thomas Becket at Canterbury Cathedral. In a long list of works, including Troilus and Criseyde, House of Fame, and Parliament of Fowls, The Canterbury Tales was Chaucer's magnum opus. He uses the tales and the descriptions of the characters to paint an ironic and critical portrait of English society at the time, and particularly of the Church. Structurally, the collection bears the influence of The Decameron, which Chaucer is said to have come across during his first diplomatic mission to Italy in 1372. However, Chaucer peoples his tales with 'sondry folk' rather than Boccaccio's fleeing nobles.

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Detalhes

Generos: Fantasia, Jovem Adulto
Paginas: 384
Publicacao: 2010
Idioma original: Ingles
ISBN: 978-0-123456-78-9
Providers: Open Library, Internet Archive

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Geoffrey Chaucer

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Synopsis

This is the third volume of the History of Middle-earth, which comprises here-tofore unpublished manuscripts that were written over a period of many years before Tolkien's Simlarillion was published. Volumes 1 and 2 were the Book of Lost Tales, Part One and The Book of Lost Tales, Part Two. Together, these volumes encompass an extraordinarily extensive body of material ornamenting and buttressing what must be the most fully realized world ever to spring from a single author's imagination. "I write alliterative verse with pleasure," wrote J.R.R. Tolkien in 1955, "though I have published little beyond the fragments in The Lord of the Rings, except The Homecoming of Beorhtnoth." The first of the poems in The Lays of Beleriand is the previously unpublished Lay of the Children of Hurin, his early but most sustained work in the ancient English meter, intended to narrate on a grand scale the tragedy of Turin Turambar. It was account of the killing by Turin of his friend Beleg, as well as a unique description of the great redoubt of Nargothrond. The Lay of the Children of Hurin was supplanted by the Lay of Leithian, "Release from Bondage", in which another major legend of the Elder Days received poetic form, in this case in rhyme. The chief source of the short prose tale of Beren and Luthien is The Silmarillion. This, too, was not completed, but the whole Quest of the Silmaril is told, and the poem breaks off only after the encounter with Morgoth in his subterranean fortress. Many years later, when The Lord of the rings was finished, J.R.R. Tolkien returned to the Lay of Leithian and started on a new version, which is also given in this book. Accompanying the poems are commentaries on the evolution of the history of the Elder Days, which was much developed during the years of the composition of the two Lays. Also included is the notable criticism in detail of the Lay of Lethian by C.S. Lewis, Tolkien's friend and colleague, who read the poem in 1929. By assuming that this poem is actually a fragment from a past lost in history, Lewis underlined the remarkable power of its author's imaginative talents and academic competence.

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The Lays of

The Lays of Beleriand

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Synopsis

The stories continues from "Part I", and begins with Eriol, having spent spent many days at the 'Cottage of Lost Play', a house he arrived at while traveling. It is owned by Lindo and Vairë. There he has listened to stories by the family that had taken him in. The first story in this book that he hears is "The Tale of Tinúviel". "The Tale of Tinúviel" tells the story of Beren a human male who falls in love with Lúthien Tinúviel a female elf. He wishes to marry her but is given a seemingly impossible task to get a Silmaril jewel from the crown of a evil being. He succeeds in getting the jewel but loses his hand in the attempt, and after their marriage he dies, and she also dies from heartbreak, and they are returned to life for second chance. Eriol himself tells the next story, that of "Turambar and the Foalókë". "Turambar and the Foalókë" is the story of a warrior that is imprissioned by the evil being and set on a mountain top to watch his family suffer while he watches with the curse of special sight. The story then changes to his son, Túrin, who also fights but is betrayed by his men and cursed, after losing a battle with a dragon he changes his name. His sister and mother look for him but are captured and their memories erased by the dragon. He later meets his sister, now strangers to each other, they become married. He finally defeats the dragon, but with that her memory returns. Realizing he's her brother she jumps off a cliff, he kills himself, and the mother goes screaming into the woods. The father then is released by the evil being and he goes and kills the men that betrayed his son. Then goes looking for his wife in the woods. The story ends with the family reunited and dwelling with the spirits.

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The Book of

The Book of Lost Tales [2/2]

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