Synopsis

The Return of the Shadow is the first volume of the The History of The Lord of the Rings and the sixth volume of The History of Middle-earth. It is a history of the creation of The Lord of the Rings, a fascinating study of Tolkien's great masterpiece, from its inception to the end of the first volume, The Fellowship of the Ring. In The Return of the Shadow (the abandoned title of the first volume of The Lord of the Rings) Christopher Tolkien describes, with full citation of the earliest notes, outline plans, and narrative drafts, the intricate evolution of The Fellowship of the Ring and the gradual emergence of the conceptions that transformed what J.R.R. Tolkien for long believed would be a far shorter book, 'a sequel to The Hobbit'. The enlargement of Bilbo's 'magic ring' into the supremely potent and dangerous Ruling Ring of the Dark Lord is traced and the precise moment is seen when, in an astonishing and unforeseen leap in the earliest narrative, a Black Rider first rode into the Shire, his significance still unknown. The character of the hobbit called Trotter (afterwards Strider or Aragorn) is developed while his indentity remains an absolute puzzle, and the suspicion only very slowly becomes certainty that he must after all be a Man. The hobbits, Frodo's companions, undergo intricate permutations of name and personality, and other major figures appear in strange modes: a sinister Treebeard, in league with the Enemy, a ferocious and malevolent Farmer Maggot. The story in this book ends at the point where J.R.R. Tolkien halted in the story for a long time, as the Company of the Ring, still lacking Legolas and Gimli, stood before the tomb of Balin in the Mines of Moria. The Return of the Shadow is illustrated with reproductions of the first maps and notable pages from the earliest manuscripts.

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The Return of the Shadow

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J.R.R. Tolkien - 1988 - Catalogo
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The Return of the Shadow is the first volume of the The History of The Lord of the Rings and the sixth volume of The History of Middle-earth. It is a history of the creation of The Lord of the Rings, a fascinating study of Tolkien's great masterpiece, from its inception to the end of the first volume, The Fellowship of the Ring. In The Return of the Shadow (the abandoned title of the first volume of The Lord of the Rings) Christopher Tolkien describes, with full citation of the earliest notes, outline plans, and narrative drafts, the intricate evolution of The Fellowship of the Ring and the gradual emergence of the conceptions that transformed what J.R.R. Tolkien for long believed would be a far shorter book, 'a sequel to The Hobbit'. The enlargement of Bilbo's 'magic ring' into the supremely potent and dangerous Ruling Ring of the Dark Lord is traced and the precise moment is seen when, in an astonishing and unforeseen leap in the earliest narrative, a Black Rider first rode into the Shire, his significance still unknown. The character of the hobbit called Trotter (afterwards Strider or Aragorn) is developed while his indentity remains an absolute puzzle, and the suspicion only very slowly becomes certainty that he must after all be a Man. The hobbits, Frodo's companions, undergo intricate permutations of name and personality, and other major figures appear in strange modes: a sinister Treebeard, in league with the Enemy, a ferocious and malevolent Farmer Maggot. The story in this book ends at the point where J.R.R. Tolkien halted in the story for a long time, as the Company of the Ring, still lacking Legolas and Gimli, stood before the tomb of Balin in the Mines of Moria. The Return of the Shadow is illustrated with reproductions of the first maps and notable pages from the earliest manuscripts.

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Detalhes

Generos: Fantasia, Jovem Adulto
Paginas: 384
Publicacao: 2010
Idioma original: Ingles
ISBN: 978-0-123456-78-9
Providers: Open Library, Internet Archive

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Sobre o autor

J.R.R. Tolkien

J.R.R. Tolkien (1892–1973) foi um escritor, filólogo e professor inglês, mundialmente conhecido como o criador de O Senhor dos Anéis e O Hobbit, obras que revolucionaram a literatura fantástica. Ele nasceu na África do Sul, viveu na Inglaterra, lutou na Primeira Guerra Mundial e dedicou sua vida à academia e à criação de mitologias e línguas fictícias.

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Synopsis

Originally published from 1954 through 1956, J.R.R. Tolkien's richly complex series ushered in a new age of epic adventure storytelling. A philologist and illustrator who took inspiration from his work, Tolkien invented the modern heroic quest novel from the ground up, creating not just a world, but a domain, not just a lexicon, but a language, that would spawn countless imitators and lead to the inception of the epic fantasy genre. Today, THE LORD OF THE RINGS is considered "the most influential fantasy novel ever written." (THE ENCYCLOPEDIA OF FANTASY) During his travels across Middle-earth, the hobbit Bilbo Baggins had found the Ring. But the simple band of gold was far from ordinary; it was in fact the One Ring - the greatest of the ancient Rings of Power. Sauron, the Dark Lord, had infused it with his own evil magic, and when it was lost, he was forced to flee into hiding. But now Sauron's exile has ended and his power is spreading anew, fueled by the knowledge that his treasure has been found. He has gathered all the Great Rings to him, and will stop at nothing to reclaim the One that will complete his dominion. The only way to stop him is to cast the Ruling Ring deep into the Fire-Mountain at the heart of the land of Mordor--Sauron's dark realm. Fate has placed the burden in the hands of Frodo Baggins, Bilbo's heir...and he is resolved to bear it to its end.

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Categorias em comum: Ensaios, Fantasia, Não-ficção

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Synopsis

Este volumen parte del reconocimiento del género de fantasía, su distinción de otros géneros populares y la identificación entre la división de lo fantástico y lo maravilloso. Asimismo, realiza una delimitación de sus características principales a partir de teoría y obras literarias anglosajonas e hispánicas que abarcan desde la mitad del siglo XX hasta lo que va del siglo XXI sin dejar de mencionar las raíces de la fantasía: la mitología y épica clásicas, los textos medievales, renacentistas y cuentos folklóricos. Además, destaca la inestabilidad de este género popular al referirse a los diferentes subgéneros (en constante evolución) y divisiones existentes que lo conforman y lo vuelven un género versátil. Posteriormente, se destaca cómo la fantasía es leída como modo, género y fórmula y se hace alusión a la propuesta de la autora Farah Mendlesohn para subdividir este género en fantasía de portal, inmersiva, intrusiva y liminar. También este volumen se refiere a diferentes críticos que, a través del tiempo, ahondan en las temáticas y estructuras narrativas de la fantasía. Después, este acercamiento teórico se dedica a reflexionar sobre la recepción de los textos de fantasía, específicamente en las emociones (positivas o negativas) que produce en los lectores. Finalmente, se destaca cómo el género de fantasía es político y puede llegar a ser radical y revolucionario. Esta afirmación se ejemplifica al explorar la influencia de los estudios feministas y de género en la fantasía.

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